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The bloody gun battles that litter the entire course of the film weighs you down. The usage of expletives definitely goes with the context of the film but there?s an excessive usage of cuss words that gets repulsive beyond a point. No one from Faizal?s family gets killed in such a gruesome attack. When the hooligans were having such heightened ammunition, why didn?t they barge into the house to ensure that everyone is bumped off. Perpendicular, the fat police inspector with a silly laughter, Sultan, Jameel Khan and others make a long list of incredible performers.Īs for the downside, the much hyped introduction scene where Sultan raids Faizal Khan?s home with bombs and machine guns seems far fetched.
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Casting director Mukesh Chhabra deserves full marks for putting together a stellar ensemble cast. G V Prakash?s background score elevates the mood of all the situations. Moora carries a very unprepared feel to it that makes it sound very real and believable. It captures the ?reality? of the small town superbly with the right doses of darkness and dinginess. Wasiq Khan?s production design is true to life. Yes, you?ve seen many gangster stories but this one has a unique edge. Writers Akhilesh Jaiswal, Anurag Kashyap, Sachin K Ladia and Zeeshan Qadri deserve full marks for putting together a very interesting story. There are many more scenes that stay with you. And yes, he surely fancies his Bollywood chances as he counts the beats during interludes ensuring that he practises perfection required at the highest level. He sings the popular Hindi film songs that gel with the mood of the situation. Yashpal Sharma is the orchestra singer for all occasions, be it death or celebration. Ramadhir Singh (Tigmanshu Dhulia, what a find as an actor) takes a dig at Hindi movies in an extremely funny, tongue-in-cheek manner. As he communicates with his comrades on mobile phone, a hilarious comic situation ensues where one guy is talking to two accomplices simultaniously on two different mobiles and his pyjama drops down. Definite (Zeishan Qadri, surprise package) is on a mission to bump off the dreaded Sultan. Nagma Khatoon (Richa Chadda, simply fascinating) chides Faizal to rise up from his obsession with drugs and take revenge. It emanates from their filmy romance where heroine is meant to motivate the hero by singing songs of positivity and hope. Mohsina sings ?Nervsao nahin moora, frustiyao nahin moora, thoda fightuya karo ji moora? to a dejected Faizal Khan languishing in jail.
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After coming out from the jail Faizal is desperate for Mohsina, " Jail mein tumhaare baare mein soch soch kar haath thak gaye". Faizal tells his traitor friend Fazlu, " Hum to samjhe the ki hum Sanjeev Kumar ke vahan Bachchan paida hue hain, lekin hum to Shashi Kapoor nikle, Bachchan to koi aur tha" and then he cuts Fazlu?s head off with blood spurting out in a rush.
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Faizal Khan (Nawazuddin, smashing) pleads Mohsina?s (Huma Qureshi, confident and pretty) ?permission? to having sex. Gangs Of Wasseypur 2 succeeds in doing so.
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Gangs Of Wasseypur 2 grips your attention from start to finish though the blood & gore leaves you numb as you exit the theatre.Ī movie is special when the moments from the film continue to play on in your mind, hours after coming out of a movie hall. Cinema is also about story telling, sketching and developing memorable characters, crafty technique and the ability to weave it all together ensuring that the end product holds the audience's attention from start to finish.
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A lot is made of the so-called 100 Crore club (littered with item songs and gags and little else) but cinema is also Art (a compromised Art form but it can be Art nevertheless).